Personal Cannon: The Ten Megan Classics

Once upon a 1909, Dr. Charles Eliot put together a compilation of literature in trustworthy forest green boards with serious gold type and called them The Harvard Classics. These were meant to provide any person who read them with the elements of a liberal education, but reading them still won’t qualify you for a supervising position at Target.

Of course, now it’s 2016 and the very idea of cannonical literature holds as much water as a sieve: Whose cannon? Why is this book important? What do you mean English 101 kids are reading Gardner’s The Art of Fiction but not Barry’s What It Is? (Both are brilliant books on writing, but I prefer Lynda Barry’s because it’s got all sorts of pictures and is less interested in academia than the occasionally heavy handed Gardner.) There are so many ways of learning, so many important books, that it is impossible to read them all. But I do like the idea that a set group of books can provide a single person with the elements of an education for… whatever, so I’ve drummed up a personal cannon that when read will give you the elements of a Megan education.

Rather than the 51 classic books provided by Dr. Eliot, I have limited this list to a ten book summer course. If undertaken, these ten books will provide you with an introduction to Megan, and you will be well on your way to all of the neurosis, excess coffee, and indecipherable reminders written at 3am that she enjoys on a daily basis. Alas, you will still be unqualified for a supervising position at Target.

Half Magic by Edward Eager: Thinking deeply about the proper way to word a wish will extrapolate itself to thinking deeply about every word said, until you’re not sure you should ever say anything! And Katherine fights Sir Lancelot, that’s fun.

Matilda by Roald Dahl: This will provide a counterpoint to Eager, when the Trunchbull gets away with her atrocities by never committing any act by half. All in, until no one will believe you, Miss Honey.

Beggars in Spain by Nancy Kress: My first introduction to Hugo winning SciFi by a lady type. The sheer idea that it could be done was well formative. Likely, you will bond with your future husband over all the hobbies you’d both aquire if you never had to sleep.

Making Comics by Scott McCloud: you have already read a few comics as a prerequisite for this course, and now you will understand their language.

The Art of the Novel by Milan Kundera: Story as music, explained by the son of a student of Antonin Dvorak. (Not that Kundera’s life as an expat Bohemian living in France is any less interesting than his connection to Dvorak.) All art is intersectional, all story has the capacity to be Art. Which is the excuse you’ll give when caught humming O Mangum Mysterium while you read.

The True Deceiver by Tove Jansson (translated by Thomas Teal): Art as a novel.

Cruddy by Lynda Barry: Visceral and ugly, looked at so hard that it becomes beautiful. You’ll still need to take a shower after this. You’ve been warned.

The Dispossessed by Ursula K. LeGuin: I loved this book so much that I made a shirt with her map of Annares on it. I. Made. A. Shirt. I expect you to make a shirt after reading this.

Who Fears Death by Nnedi Okorafor: Science fiction is fantasy, fantasy is real, genre is whatever you want to make it. This book is scary and amazing, and Onyesonwu is going to rewrite your world. Extra credit: follow Okorafor on Twitter for delightful animal pictures!

The Wee Free Men by Terry Pratchett: Read this at any age, the wee men talk funny but it’s Tiffany and her grandmother’s understanding of the world that is Real. If you want to be a witch, read the Tiffany Aching books. (Obvs you want to be a witch. Who doesn’t?)

List is reflective of the order in which these books were read.  Extra credit: read Half Magic out loud while following your dad through the garage, and then read the chapter What Happened to Katherine another twelve times.

 

So what is your cannon? What ten books would make a you?

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